Vanessa Stockard is an Australian painter known for her moody, classical oil-painting technique that she playfully disrupts with mischievous modern elements, especially her recurring cat character, Kevin. Kevin’s this black, cartoonish blob of a kitten with huge, expressive eyes that pop out against the refined realism of her backgrounds. It’s as if he’s wandered in from a children’s doodle book and found himself inside a Renaissance masterpiece.
The tension between the traditional and the absurd is what makes her work so infectious. Kevin feels like both a vandal and a muse, sometimes scared or skeptical, other times gleefully chaotic. When she drops him into a Da Vinci or Vermeer scene, it becomes this witty visual joke about how we consume art today: reverent yet irreverent, endlessly remixing the old with the new.
The tension between the traditional and the absurd is what makes her work so infectious. Kevin feels like both a vandal and a muse, sometimes scared or skeptical, other times gleefully chaotic. When she drops him into a Da Vinci or Vermeer scene, it becomes this witty visual joke about how we consume art today: reverent yet irreverent, endlessly remixing the old with the new.
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