The term process art refers to where the process of its making art is not hidden but remains a prominent aspect of the completed work, so that a part or even the whole of its subject is the making of the work.
In process art too there is an emphasis on the results on particular materials of carrying out the process determined by the artist. In Louis again, the forms are the result of the interaction of artist’s action, the type and viscosity of the paint, and the type and absorbency of the canvas. Richard Serra made work by throwing molten lead into the corners of a room. Robert Morris made long cuts into lengths of felt and then hung them on a nail or placed them on the floor, allowing them to take on whatever configurations were dictated by the interaction of the innate properties of the felt, the artist’s action and gravity.
For an excellent deep dive into Roman Signer, check out the video "Roman Signer: It's Not Forbidden to Laugh" from @thelouisianachannel.
In process art too there is an emphasis on the results on particular materials of carrying out the process determined by the artist. In Louis again, the forms are the result of the interaction of artist’s action, the type and viscosity of the paint, and the type and absorbency of the canvas. Richard Serra made work by throwing molten lead into the corners of a room. Robert Morris made long cuts into lengths of felt and then hung them on a nail or placed them on the floor, allowing them to take on whatever configurations were dictated by the interaction of the innate properties of the felt, the artist’s action and gravity.
For an excellent deep dive into Roman Signer, check out the video "Roman Signer: It's Not Forbidden to Laugh" from @thelouisianachannel.
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