jog teental 180 bpm

Raag Jog: A Melodic Journey
Raag Jog is a beautiful and evocative raag that belongs to the Kafi thaat. Let’s explore its key features:

Thaat and Jaati:
Thaat: Kafi
Jaati: Audhav-Audhav (consisting of five notes in both ascending and descending order)
Time of Performance:
Raag Jog is typically performed during the second prahar of the night, from 9 PM to 12 AM.
Swara Structure:
Aroh: n S G m P n S (Shuddha Gandhar in the ascent)
Avroh: S n P m G S g S (Komal Gandhar in the descent)
Pakad (Signature Phrases):
G m P n P, P n P m G m, G m g S
Meend and Artistic Rendering:
Meend (gliding between notes) is used to render from Komal Gandhar to Shadj (S).
While rendering m g S, Shadj is used as a Kan-Swar before Gandhar, like m (S)g S.
Uttarang Variation:
In the Uttarang (higher octave), sometimes while ascending towards Tar Shadj, Nishad is rendered in Meend using Tar Shadj (Sa’) as a Kan-Swar. For example: G m P (S’)n S’, which raises Nishad slightly more than the regular Komal Nishad.
Bandishen (Compositions):
Here are some illustrative bandishen in Raag Jog:
Bada Khyal: “Aaye Na Nindiya Re” (Theme: Virah Ras)
Sadra: “Chatur Balmaa So Lagi Re” (Theme: Shringar Ras)
Madhya Lay Khyal: “Awadh Nagar Ke Dashrath Nandan” (Theme: Shri Ram)
Chota Khyal: “Lagi Chute Nahi Ram” (Theme: Virah Ras)
Additional Notes:
Raag Jog allows free expression across all three octaves.
Both Gandhars (Shuddha and Komal) play a significant role in shaping its melodic character.
In summary, Raag Jog is a delightful raag that combines simplicity with emotional depth. Its soulful renditions evoke a sense of longing and introspection. the form of lehera for tabla, nagma for tabla.







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