Coining the term ‘PixCell’ — a combination of ‘pixel’ (the smallest element of a digital image) and ‘cell’ (microscopic organic molecules) — Kohei Nawa meshes a virtual aesthetic with tangible forms. The silhouettes of the deer become unstable and dynamic as the viewer moves around the sculpture, and this elasticity of perception suggest a disjunction between visual perception and bodily experience in the internet age.
Kohei Nawa, Japan b.1975
PixCell-Elk#2 2009
Mixed media
Created with the support of the Fondation of d'enterprise Hermes
Collection: Pen Pei-Cheng
Courtesy: Kohei Nawa
‘The 6th Asia Pacific Triennial of Contemporary Art’
5 December 2009 – 5 April 2010
Queensland Art Gallery | Gallery of Modern Art
Queensland Art Gallery | Gallery of Modern Art (QAGOMA)
Brisbane Australia
© Queensland Art Gallery Board of Trustees, 2009
https://www.qagoma.qld.gov.au
#qagoma
Kohei Nawa, Japan b.1975
PixCell-Elk#2 2009
Mixed media
Created with the support of the Fondation of d'enterprise Hermes
Collection: Pen Pei-Cheng
Courtesy: Kohei Nawa
‘The 6th Asia Pacific Triennial of Contemporary Art’
5 December 2009 – 5 April 2010
Queensland Art Gallery | Gallery of Modern Art
Queensland Art Gallery | Gallery of Modern Art (QAGOMA)
Brisbane Australia
© Queensland Art Gallery Board of Trustees, 2009
https://www.qagoma.qld.gov.au
#qagoma
- Catégories
- Sculptures
- Mots-clés
- Kohei Nawa, Wonderstruck, Contemporary Asian Art
Commentaires